Thu, Jul 28|
Bahar Behbahani: 'Water binds me to your name' Opening Reception
This exhibition presents works anchored in the politics of water stewardship, and dares to reclaim a new mythical form of architecture that holds the water ecosystem.
Time & Location
Jul 28, 2022, 5:00 PM – 8:00 PM
Trotter&Sholer Gallery, 168 Suffolk St, New York, NY 10002, USA
About the Event
July 28 – August 27, 2022
168 Suffolk St.
New York, NY 10002
Tues - Sat. 12-6 pm
Opening Party, Jul 28, 5-8 pm
Garden Tea with Artist, Aug 13, 2-4 pm
Bahar Behbahani’s artwork succeeds in being both political and non-prescriptive. Her personal histories and their intersections with culture, transnationalism, and ecology are etched into her work, both figuratively and sometimes literally. Trotter&Sholer is pleased to present her solo exhibition Water binds me to your name, curated by Klaudia Ofwona Draber in partnership with KODA. This exhibition presents works anchored in the politics of water stewardship, and dares to reclaim a new mythical form of architecture that holds the water ecosystem.
Informed by Behbahani’s childhood in Tehran, Water binds me to your name is an extension of themes explored in her earlier museum exhibitions, such as Let the Garden Eram Flourish, at the Hood Museum of Art, Dartmouth College in Hanover, NH, and Mother River, a video series at the Asia Society Museum in New York City.
Water is central to Behbahani’s artistic practice. She notes that when children learn to read in Farsi they all begin with the word water, which is comprised of the first two letters of the Persian alphabet (Ab). In telling this story, Behbahani mused, “I wonder if this impacts our relationship with water.”
The artist’s primal childhood memories are likewise rooted in the home garden in Tehran that once belonged to Behbahani’s grandfather, who named the artist ‘Bahar’, meaning ‘Spring’. His garden was an otherworldly refuge for her to play hide and seek, to learn how to count and draw, and from which family gatherings and poetry readings transpired; it was her responsibility to water the garden’s roses, a prophetic gesture captured in an old photograph. ‘All the memories are around the central pool... under the cypress trees,’ she recalled.
- Aliza Edelman in Transnational Belonging and Female Agency in the Arts, ed. Basia Sliwinska and Catherine Dormor (Bloomsbury, 2022)
Water binds me to your name includes a monumental painting entitled River Goddess (2021), intended for exhibition at the Hudson River Museum of Art in 2023. Behbahani spent substiantial time on River Goddess, consulting heat maps and studying the effects of heat-related stress on the color of coral reefs. She found herself inspired by the thermotolerance and resistance quality of such reefs. Behbahani’s extensive practice has been focused on the interrelation of waterways, migration, and precarious culture. The palette of River Goddess is mostly drawn from those ocean topographies and Persian miniatures.
The Edge Is The Center (2018) series explores the politics and language around rivers and liquid borders, and Oasis, Under Construction (2019), another recent series, explores the structure of memory. These works were inspired by Behbahani’s observations of ancient Persian Gardens undergoing contemporary construction and facing drought due to climate change and sanctions. The River (2019-2022) series is a reincarnation of the octagon-shaped pool from All water has a perfect memory (2019)— Behbahani’s public art installation at Wave Hill, a garden and cultural center in the Bronx, NY. Each side of the pool represented rivers that are a locus of conflict: the Hudson, Rio Grande, Karun, Euphrates, Ganges, Mississippi, Nile, and Wouri. The River series blooms with light carvings inspired by diverse botanicals, including immigrant plant species.
Behbahani considers the relationship between water and borders, invasive and native species, immigrant flora and how waterways have served as a means of human and plant migration. Examining horticulture history, which includes questions about nomenclature and associated political narratives, the artist incorporates philosophy and design of Persian gardens into her creative practice.
- Eileen Jeng Lynch, Curator of Visual Arts at Wave Hill
Water binds me to your name takes its title from the poem, “Who Am I, Without Exile?” by Palestinian poet Mahmoud Darwish and will be on view at 168 Suffolk Street through August 27th. The Garden Tea with artist will be held at the Dorothy Strelsin Memorial Garden, at 174 Suffolk Street on Saturday, Aug. 13, 2-4pm.
Bahar Behbahani (1973, Tehran) is a recipient of the Creative Capital Award for the anticipated project Ispahan Flowers Only Once, a community space inspired by Persian garden design, philosophy, plants and flora, which will bring people together to take part and re-activate unseen histories by gathering and gardening. Born in Tehran, Iran, into an artistic family of writers, painters, musicians and puppeteers, Behbahani relocated to the US and currently works in Brooklyn, NY. In 2020, Behbahani was awarded a Painters & Sculptors Grant by the Joan Mitchell Foundation. She will participate in the fifteenth edition of Sharjah Biennial in 2023. Her work is in several permanent collections, including The Hood Museum of Art, Dartmouth College, Hanover, NH, the Sharjah Art Foundation, Sharjah, United Arab Emirates; the Queensland Museum, Brisbane, Australia; NYU Langone Art Program and Collection, New York, NY; and The Visual Arts Museum of Pasargad Bank, Tehran, Iran.